Abstract
The iconographic program of the Portal of the Majesty in the Collegiate Church of Toro (Zamora), carved during the reign of Sancho IV of Castile and Leon (1284-1295), was designed by the Franciscan Friar Juan Gil de Zamora, scriptor and royal secretary of Alphonse X the Wise of Castile. The complex program of this portal is organized to exalt the Virgin Mary in four ways, related to the four active presences of Mary in the vertical axis that structure its symmetrical composition. This program, focused on the Coronation of the Virgin as Queen of Heaven, deals also with three other significant expressions of glorification of Mary, such as her Resurrection / Assumption, her role as intercessor in the Last Judgment, and her identification as Gate of Heaven. Thus Juan Gil de Zamora reveals the full and conclusive meaning of the iconographic program with which he designed this splendid sculptural ensemble of Toro: the Virgin that offers her Child Jesus to the believer in the mullion, the newly revived Assunta in the lintel, the crowned Queen of Heaven in the tympanum, and the Mediator Mother imploring before his Son, the Universal Judge, at the top of the latest archivolt, manifest the canonical doctrine that considers Mary at the same time as Regina Coeli, as Mater Ecclesiae and as Ianua Coeli.
Author(s): Jose Maria Salvador Gonzalez