Abstract
The corpse is the favoured sign of death. More precisely, the relationship between the human as a sliding signifier, subject to degradation, on the one hand, and the non-human as a signified problematized by the urgency of imparting meaning to death, from where it has just left, on the other hand. This loss, both semantic and ontological, has been made up for through culture. The present paper aims at analysing, socially and culturally, the ways in which, by favouring and creating certain representations of the corpse, contemporary mass-media contribute to the emergence of a paradigm of the non-human. Moreover, the paper investigates the functioning of this paradigm within the larger framework of post-modern attitudes toward death, and its implications on the anthropological construction of the Other. Thus, it outlines the continuities and discontinuities between traditional and contemporary representations of the corpse, while assessing the impact of a series of specific post-modern elements on the social and cultural status of the corpse, critically re-examining the concept of death denial. Some mediatic representations of the corpse benefit the cultural reintegration of death, what Death Studies refer to as ?the return of Death? (the specular catharsis, the recovery of mourning). These benefits are however limited (death in the third person, the prevailing kitsch). In contrast with culture, that has been dealing for centuries with the reality of the corpse by its own means (rites, beliefs, sublimations), mass-media take a different approach to that same reality, constructing not an ontology, but a self-referential phenomenology. The removal of the signified from the death sign represented by the corpse - the reduction of the dead to the corpse - elicits a reconsideration of relationships such as human - non-human, self - other, image - reality.
Author(s): Teodorescu Adriana